A spring whiteout in Jackson, Wyoming led me to ask the question... if I just take out the Leica Q2M and my Leica M11 in black-and-white JPG, how different will the images be? Let's find out.

A comparison of the brand new 50mm Leica Summilux against the older one, the Summicron, and even the Sony 50mm GM.

Here’s what I’ve experienced over the last thirty-days on Youtube.

The A7R series gets a lot of hate for the amount of noise on the photos in low light. Let’s compare their last three generations, see what’s gotten better, and compare a series of images.

When I got into photography, it was the very beginning of digital photography, and film was still very much the norm. I learned to shoot on film in high school, and loved it. Most of my photography was on my Canon SureShot 85mm, which is just a point and shoot.

Flatlays are a photography genre of their own. In my last post, I shared a little about the props I use when I shoot flatlays. I also shared a little about the genre itself. Today I’m going to jump into the technicals of how I go about shooting flatlays.

I absolutely love shooting flatlays. I think it’s a great, unique way to showcase products. The cool thing about flatlays is that they will be styled and accessorized according to the personality of the person shooting them.

Winter is coming! That means it’s time for snowy shoots. Last winter, I hit up Lamar Valley in Yellowstone and had an incredible experience photographing the bison in winter, and overall exploring this amazing location in its off-season. Very few people were in the park in early February, which made our experience even better.

A few months ago I dropped a preset that I often use called Astoria A1. It’s actually one of my presets, not something I threw together to sell you. See it in action!

Straight up, I have a bag problem. Sometimes I hop on Youtube and find other guys with way worse bag problems than me. But still, I have cycled through many bags in an attempt to hike, carry gear, and not be overburdened by adventuring.

For a creative, we often use the word gear. Gear doesn’t make you a better creative, but in the right hands, the right tools enable and empower you to create your best. This is why I love gear.

Last fall, I was packing my bag for a week in the Canadian Rockies. This is one of my favorite places on earth. It was just me going. My friends who were suppose to travel with me had something major come up and had to back out at the last minute, so rather than cancelling everything, I went ahead as planned.

If I was recommending a setup to someone who wanted to get into travel photography, I’d recommend a wide lens, a tight lens, and a high-megapixel camera.

Let’s start with the obvious. There are many film simulations out there, especially on your smart phone. If you’re looking for a quick and convenient way to snap some film pics, I’d recommend going that route. But if you want to dive deeper into your editing style, some tricks for a bit of that nostalgic or filmic look, and grow as an artist, then these thoughts are for you.

Late last summer, I bought a Vanagon from a guy in Santa Cruz. I had been looking for one for several years, but hadn’t found anything that was a good fit. I was looking for something mostly mechanically sound (as I’m no mechanic), and something that was ready to be renovated.

There are three ways to get that film look. You can shoot film (this is the best way). You can edit filmic in an app. Or if you happen to get a Fuji X100 series, you can shoot JPG with film emulation.